For an author who tended to avoid explicitly Christian subjects in his plays and poems, Shakespeare showed an abiding interest in the spiritual qualities of his characters. Spiritual Shakespeare, the latest study by noted Shakespeare scholar E. L. Risden, considers the playwright not only as a Christian writer, but also one of considerable spiritual significance: the plays regularly highlight evidence of characters’ struggles with their own spiritual health. They often show the sorrows that result from spiritual blindness or neglect.

Translator:
Catherine A. Fitzpatrick

In Shakespeare and Jung - The God in Time literary critic and philosopher James Driscoll presents original arguments for the existence and nature of God. He traverses the boundaries of art, philosophy, psychology, and religion to draw on Shakespeare, Carl Jung, and A. N. Whitehead to define and illuminate the interconnections of God and time.

Identity Politics and the Third World revisits the theories of identification in challenging existing methods of ascertaining developing world identities on the grounds of objectivity and universality. The construction of postcolonial identities refers to the creation of systems of identification.

This book explores images of Venice in the written and visual art of the multitalented American writer, painter, lecturer, and engineer Francis Hopkinson Smith (1838-1915). A successful artist and intrepid traveler, F. Hopkinson Smith spent every summer in Venice for almost twenty years: his stays in the Italian city resulted in a large output of watercolors and writings, including his popular travelogue Venice of To-Day(1895), which featured over 200 illustrations by Smith himself.

Edward Alleyn was a man of many talents and great energy. He was the actor who created the roles of Tamburlaine, Dr Faustus, and Barabas, the Jew of Malta, in Christopher Marlowe’s plays and played in comedies, histories and tragedies by the leading authors of his day. In one week in August 1594, he took the leading part in six different plays. His acting was praised by Queen Elizabeth I herself.

Edward Alleyn was a man of many talents and great energy. He was the actor who created the roles of Tamburlaine, Dr Faustus, and Barabas, the Jew of Malta, in Christopher Marlowe’s plays and played in comedies, histories and tragedies by the leading authors of his day. In one week in August 1594, he took the leading part in six different plays. His acting was praised by Queen Elizabeth I herself.

Based on detailed archival research in three countries, Zelda Kahan Newman tells the story of Kadya Molodowsky, the most prolific woman writer of Yiddish. A feminist before feminism was a movement, Molodowsky wrote poems that still circulate today.

Molodowsky was caught up in nearly all the cataclysms of twentieth century Jewry: the chaos of World War I, an inter-war pogrom, a narrow escape from Nazi Europe, migration to the US, and a failed attempt at life in the young state of Israel.

The Keys to Freedom: Tolstoyan Lessons of Life for Every Day represents decades of work by Leo Tolstoy in writing, collecting, and organizing aphorisms and observations into the most complete exposition of his pacifist interpretation of Christianity, designed to be read each day.

John Field, an ordained minister in the Established Church during the sixteenth century described playhouses as 'schools of wickedness' and 'sinks of sin'. Little did he know that, after his death, his son Nathan (Nat) Field would become one of Britain's most celebrated players and playwrights. Impressed under royal warrant to become a member of the Children of the Chapel Royal, Nat progressed to star in plays such as Epicene, Bartholomew Fair and Bussy d'Ambois.