This book usurps the tradition of travel writing as practiced with respect to Ireland in recent decades. While the vast majority of Irish travelogues continue to be written in English, this travelogue was originally written in Irish and is here made available to the Anglophone world for the first time. This book links with a long tradition of travel writing as published in the Irish language. My Mule Drinks from the Ganges is a fascinating travelogue that reclaims one of the oldest traditions in Irish culture – the tradition of the “immrama” - for a new generation of readers.

This work has grown out of a previous study entitled Mary Elizabeth Braddon and the Jewish Question: A Victorian English Novelist and the Worlds of Anglo-Jewry, Zionism and Judaism, 1859-1913, which focused solely upon Braddon’s novels and used them as a lens through which the changes in the Anglo-Jewish community throughout her lifetime could be charted within her work.

“There is,to my knowledge, no work in English that covers the field historically and across disciplines as this one does. It gives researchers in many disciplines the full picture of the range of memory studies and once more shows us the critical value of having a memory culture that is an essential construct of civilization and literary and historical culture.”
Ray Hanna, North American Book Reviews

“...a well chosen and absolutely fascinating discussion of Latin American literary and cultural life today emphasizing the region's dialogue with the world as an equal and not as a magical realist , protean revolutionary, or Bolanian construct . Virtually all contributors are Latin American or Caribbean scholars with first class credentials. Recommended for library collections.”

Professor Helga Gates,UNE

Mary Elizabeth Braddon and the Jewish Question investigates the representation of Jewish characters in 70 of the prolific and wildly popular Mrs Braddon's novels from the mid 19th c to the eve of World War One. This study considers how Braddon changes her descriptions across this timeframe and argues that these changes are reflective of the changing social and economic status of the Anglo-Jewish population.

This book adds a major culture-based study to the field of Irish history. It addresses a topic and touches on themes that continue to be relevant and debated in contemporary Ireland. Dr.Myers makes a major contribution to the “New Military History” of Ireland and adds the memory of the First World War of one of the “small nations” that emerged in the wake of that conflict to the numerous memory studies that exist for the primary combatant nations (Britain, France, and Germany).

Why a book on Eavan Boland? No critical study of one of Ireland’s most significant and ambitious living poets has been undertaken until now. Her collected writings seek nothing less than a redefinition of the myths structuring the current understanding of Ireland. Much as Shakespeare helped shape the Tudor myth and our historical consciousness of his time, much as Yeats drew from Ireland’s Celtic tradition to reinvest his age with an historical continuum, Boland seeks to reframe Ireland.

This monograph is a serious sustained study of one of Ireland’s most important emerging literary practitioners : Colm Toibin. Professor Turner focuses on the origins of Toibin’s career, his stylistic and thematic shift that became apparent in THE STORY OF NIGHT(1996). Another aspect of this critical evaluation is an examination of Toibin’s career as a journalist and non fiction writer.

Exile is ubiquitous in 20th century literature whether temporary expatriation or permanent flight. This quartet of self-exiled German - Australian poets/writers provides an unusual exile of second remove and an extraordinary study in language praxis. These gifted poets and critics fled to Australia because exile meant life and Nazi Europe meant death. They remained despite the lazy suspicion of many native Australians that these scholars were “worse than the pommies” (a terrible thing to be called in Oz) and were “prancing poufter poetasters”.

This discussion of Graham Greene’s faith uses Monsignor Quixote, one of Greene’s later novels, as a departure point to discuss the author’s faith in both secular and divine terms. The scholars involved in this project wanted to explore innocence and experience, peace and war, love and hate in Greene’s richly human literary tapestry. Greene’s Christianity (or lack of it) is explored, as are his major novels and their often bleak and tatty settings.