For forty years, Jackie Frame stood at the center of business, entertainment, and publicity in Classic Hollywood. This stunning collection of never before told vignettes reveals that lost world in all its splendor and with all its quirks. No scholar of the period will be able to reconstruct its dynamics, and no fan will be able to appreciate the film and music of those exciting times, without a careful consideration of these scintillating and revelatory memoirs by a true Hollywood insider.

Foreword by Professor Joseph Donohue

“..Matos's important book provides a well-researched, well-written, and fascinating discussion of the notion of contagion from Ibsen and into Pinero and Jones.” Professor Gregory Tague, St Francis College, editor of Origins of English Literary Modernism,1870-1914

In this engaging study, theatre scholar Robert J. Andreach argues, in what will be his final book, that the contemporary American theatre merits appreciation for dramatizing experiences in genres that jostle the audience into thinking about the experiences in new ways, based on five units of analysis: the naturalistic play, modernist theatre, trilogies, tragedy, and comedy.

For forty years, Jackie Frame stood at the center of business, entertainment, and publicity in Classic Hollywood. This stunning collection of never before told vignettes reveals that lost world in all its splendor and with all its quirks. No scholar of the period will be able to reconstruct its dynamics, and no fan will be able to appreciate the film and music of those exciting times, without a careful consideration of these scintillating and revelatory memoirs by a true Hollywood insider.

Ninety-nine years ago, a new form of storytelling emerged from the ruins of World War I. Different in scope and power from theater or literature, and unlike any film that had come before, Robert Wiene's The Cabinet of Dr. Caligari addressed a direct challenge to its audience, demanding to be viewed as something other than what was immediately presented. Unfortunately, criticism has not risen to the challenge.

Edward Alleyn was a man of many talents and great energy. He was the actor who created the roles of Tamburlaine, Dr Faustus, and Barabas, the Jew of Malta, in Christopher Marlowe’s plays and played in comedies, histories and tragedies by the leading authors of his day. In one week in August 1594, he took the leading part in six different plays. His acting was praised by Queen Elizabeth I herself.

Edward Alleyn was a man of many talents and great energy. He was the actor who created the roles of Tamburlaine, Dr Faustus, and Barabas, the Jew of Malta, in Christopher Marlowe’s plays and played in comedies, histories and tragedies by the leading authors of his day. In one week in August 1594, he took the leading part in six different plays. His acting was praised by Queen Elizabeth I herself.

At the end of the Second World War, communist sympathies turned Albania from its constitutional traditions into the People’s Socialist Republic of Albania. Enver Hoxha, the leader of the Albanian Labor Party, served as head of state from 1944 until his death in 1985. Under Hoxha and his successor as dictator Ramiz Alia, Albania remained firmly in the Communist bloc and those living in Albania suffered immeasurably.

John Field, an ordained minister in the Established Church during the sixteenth century described playhouses as 'schools of wickedness' and 'sinks of sin'. Little did he know that, after his death, his son Nathan (Nat) Field would become one of Britain's most celebrated players and playwrights. Impressed under royal warrant to become a member of the Children of the Chapel Royal, Nat progressed to star in plays such as Epicene, Bartholomew Fair and Bussy d'Ambois.

With an introduction by William M. Chace, D/English, Stanford University
President of Emory University(1994 – 2003) and Wesleyan University (1988 – 1994). Author of The Political Identities of Ezra Pound and T.S.Eliot.

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