Primitive art is inseparable from primitive consciousness and can be correctly understood only with the correct socio-cultural context. This book examines the ancient art of Siberia as part of the integral whole of ancient society.

Anything But Dull: the Life and Art of Jeff Nuttall reveals the life lived and the art created by a visionary polymath whose generosity of spirit defined his character. From childhood traumas to revolutionary acts, through triumphs, defeats and resurrections Jeff Nuttall’s story is told here for the first time in all its richness and singularity.

Women & Art surveys the history of women in art and addresses the effects of feminist art history and art production. This book is among the first to offer a critical assessment of the role of feminism in art history and how it has presented and misrepresented women’s roles in art. Seeking to counterbalance overwhelmingly pro-feminist narratives, it relies on evidence from artists, statisticians, and historians to support individual women artists while remaining critical of feminism.

The face circulates through most things of this world: anything that has presence, that presents itself, that has a front, a surface, an appearance, an aspect, a reputation, or honor – anything that confronts, opposes, or defies – has a face. And the face is a front: from the back it is just a head, a radically different entity. In this exciting new book, distinguished philosopher Marty Roth pursues considerations of the human face in art, literature, philosophy, and other manifestations of human culture.

Ninety-nine years ago, a new form of storytelling emerged from the ruins of World War I. Different in scope and power from theater or literature, and unlike any film that had come before, Robert Wiene's The Cabinet of Dr. Caligari addressed a direct challenge to its audience, demanding to be viewed as something other than what was immediately presented. Unfortunately, criticism has not risen to the challenge.

In the 1930s, the exciting urban environment of Montreal provided the perfect venue for a varied group of people who came together to form a kind of “salon” in the turmoil of the Great Depression. For ten years, these friends and acquaintances met each week at the home of the artist John Lyman. They saw themselves as “modern,” a part of the avant-garde that was then busily changing the world.

The death of Spain’s Don Carlos, Prince of Asturias, on July 24, 1568, remains an enigma. Several accounts insinuated that the Spanish Crown Prince was murdered while incarcerated by order of his father, King Philip II. The mystery of Don Carlos’s death, supported by ambassadorial accounts that implied foul play, became a fertile subject for defamation campaigns against Philip, fostering an extraordinary fluidity between history and fiction.

Willem de Kooning’s six numbered Woman paintings have incited a maelstrom of critical controversy. At their debut in 1953, the critics were incensed by the ugliness of the images themselves and by the inclusion of vestiges of the figure in abstraction. Consequently, they questioned de Kooning’s attitude toward women and commitment to the Abstract Expressionist project.

Foreword: Elena A. Okladnikova, Herzen University, St. Petersburg (Russia), Deputy Director for Museum Work at the Peter the Great Museum of Anthropology and Ethnography (Kunstkamera)
Translators: Richard L. Bland, Archeologist (retired), U.S. National Park Service, Heritage Research Associates, University of Oregon Museum of Natural and Cultural History; Yaroslav V. Kuzmin, Institute of Geology & Mineralogy, Russian Academy of Sciences; and Laboratory of Mesozoic and Cenozoic Continental Ecosystems, Tomsk State University (Russia)

Ninety-nine years ago, a new form of storytelling emerged from the ruins of World War I. Different in scope and power from theater or literature, and unlike any film that had come before, Robert Wiene's The Cabinet of Dr. Caligari addressed a direct challenge to its audience, demanding to be viewed as something other than what was immediately presented. Unfortunately, criticism has not risen to the challenge.