This exciting third volume of David B. Honey’s comprehensive history of Chinese thought begins with China after nomadic invaders overran the northern regions of the historic kingdom. The differentiation between scholarly emphases—northern focus on the traditional pedagogical commentary, and southern classical school’s more innovative commentary—led to an emphasis on the interpretation of the overall message of a text, not a close reading of smaller sections. As Honey explains, serious attention to the phonological nature of Chinese characters also began during in this long era.

Volume II of David B. Honey’s comprehensive history of Chinese thought covers a vital 500-year stretch in China’s history, from national unification in 221 BCE to the first post-imperial fragmentation into rival northern and southern polities. This volume discusses the reconstitution of the classics after the textual devastation wrought by the policies of the First Emperor of Qin, who destroyed many of them, and their eventual canonization by the crown during the Western Han period.

The first volume of David B. Honey’s comprehensive history of Chinese thought offers a close study of Confucius, that tradition’s proto-classicist. This opening volume examines Confucius traditions that largely formed the views of later classicists, who regarded him as their profession’s patron saint. Honey’s survey begins by examining how these views informed the Chinese classicists’ own identities as textual critics and interpreters, all dedicated to self-cultivation for government service.

In the 1930s, the exciting urban environment of Montreal provided the perfect venue for a varied group of people who came together to form a kind of “salon” in the turmoil of the Great Depression. For ten years, these friends and acquaintances met each week at the home of the artist John Lyman. They saw themselves as “modern,” a part of the avant-garde that was then busily changing the world.

In Redefining Eternity: Interfacing Immortality in the Digital Corporate World, Bethany Crawford critically assesses the implications of “digital immortality” for central tenets of the human experience - such as consciousness, death, and time - as a preliminary mapping of the shifting existential paradigms of the digital age. This groundbreaking new book explores the social consequences and provocations of a digitally replicable subject in the current sociopolitical context.

Edited by rising Tunisian literary scholar Hassen Zriba, Postmodernism and Narratives of Erasure in Culture, Literature, and Language is a collection of interdisciplinary essays arguing that the concept of “erasure” is an essential analytical tool/mode of thought in shaping conceptualizations of change and continuity in subjects of human knowledge.

This collection of essays reflect the prolific philosopher David Kuhrt’s prescient thesis that subjectivity can be bypassed, thereby exploding the myth of positivist philosophy. In bypassing intuition with abstract ideas, “science,” as we have described it, has informed the notion of Western imperialism in the Middle East, from the dogmatic Christianity of the medieval Papacy through transnational corporate investment today.

Drawing on a distinguished 40-year university career, Allen Thiher probes the subjects that serve as a basis for higher education in the twenty-first century. Addressing the general reader as well as the scholar, he argues that all the best about contemporary culture springs directly from the unfettered rationalism of the Enlightenment. Provocatively, Thiher argues that today’s education system is failing to produce students with the enlightened sensibilities they need to lead good and ethical lives and instead focuses on short-term utilitarian aims.

This pioneering translation of Plato’s Phaedrus, with detailed summary and full philological and exegetical notes taking into consideration all commentaries since Hermias, followed by a painstaking dialogical analysis of the text that shows what we must think at every moment in order to understand the thinking that brings the Greek text to life.

Football as Literature adopts semiotics as a framework to compare football (soccer) to literature. The football field is akin to the plot or stage in narrative or dramatic modes, respectively, and the players are viewed as characters whose metamorphoses, in the text of football, are occasioned from the label of their positions to the completeness of the plot by the kinetic power of the ball. In employing this commentary, a standard football match is seen as a representation of the active text. Particularly, without commentary football unfolds as an unspoken semiotic narrative.