Fine Arts

Russian Orthodox Liturgical Music: Supplemental Source Material

Author: 

Synodal School of Liturgical Music

Credentials: 

The Synodal School of Liturgical Music was founded in 1992 to train choir conductors, singers, and church readers in the liturgical music tradition of the Russian Orthodox Church, focusing primarily on the parishes of the Russian diaspora. The school offers courses in music theory, sight-singing, Church Slavonic, church music history, liturgics, liturgical performance practice, voice, and choral methods. It is based at the Holy Dormition Convent in Nanuet, New York.

This volume comprises supplemental source material to accompany courses in the history of Russian Orthodox music course. It is meant as a study aid for students and contains valuable reference sources for students and practitioners alike.

Market: 
Religion, History, Fine Arts, Russia, Russian Studies, Christianity, Christian Studies, Orthodoxy, Music, Orthodox Music, Musicology, Religious Music, Christian Music
Release Date: 
July 7, 2023
ISBN: 
9781680538366 Hardcover
Price: 
$99.95
Trim Size: 
6x9
Pages: 
200
Illustrations: 
None
Yes
Publisher: 

ACADEMICA PRESS
1727 Massachusetts Avenue, NW, Suite 507
Washington, DC 20036
academicapress.editorial@gmail.com

Konspekt uchebnykh materialov po Klirosnoi praktike

Author: 

Papkov, Father Andrei

Credentials: 

Father Andrei Papkov is a Russian Orthodox Archpriest and Founder and President of the Synodal School of Liturgical Music of the Russian Orthodox Church Outside of Russia (ROCOR). He holds a master’s degree in vocal performance from New England Conservatory and is the chairman of the Synodal Liturgical Music Commission (ROCOR).

Now available in this Russian edition, Father Andrei Papkov’s unique textbook is the only book addressing the liturgical performance practices of religious singing in the Russian Orthodox Church. The topics it covers include various aspects of choral work in this tradition, including but not limited to the choice of repertoire, the eight-tone system, Kievan square notation, rehearsal techniques, vocal pedagogy, and the element of time within Orthodox church services.

Market: 
Religion, History, Fine Arts, Russia, Russian Studies, Christianity, Christian Studies, Orthodoxy, Music, Orthodox Music, Musicology, Religious Music, Christian Music
Release Date: 
July 1, 2023
ISBN: 
9781680536423 Hardcover
Price: 
$99.95
Trim Size: 
6x9
Pages: 
210
Illustrations: 
None
Yes
Publisher: 

ACADEMICA PRESS
1727 Massachusetts Avenue, NW, Suite 507
Washington, DC 20036
academicapress.editorial@gmail.com

Russian Orthodox Liturgical Performance Practice

Author: 

Papkov, Father Andrei

Credentials: 

Father Andrei Papkov is a Russian Orthodox Archpriest and Founder and President of the Synodal School of Liturgical Music of the Russian Orthodox Church Outside of Russia (ROCOR). He holds a master’s degree in vocal performance from New England Conservatory and is the chairman of the Synodal Liturgical Music Commission (ROCOR).

Father Andrei Papkov’s unique textbook is the only book addressing the liturgical performance practices of religious singing in the Russian Orthodox Church. The topics it covers include various aspects of choral work in this tradition, including but not limited to the choice of repertoire, the eight-tone system, Kievan square notation, rehearsal techniques, vocal pedagogy, and the element of time within Orthodox church services. This definitive textbook will be of interest to anyone working, worshipping, or interested in the rich musical tradition of Orthodox Christianity.

Market: 
Religion, History, Fine Arts, Russia, Russian Studies, Christianity, Christian Studies, Orthodoxy, Music, Orthodox Music, Musicology, Religious Music, Christian Music
Release Date: 
June 30, 2023
ISBN: 
9781680536393 Hardcover
Price: 
$99.95
Trim Size: 
6x9
Pages: 
210
Illustrations: 
None
Yes
Publisher: 

ACADEMICA PRESS
1727 Massachusetts Avenue, NW, Suite 507
Washington, DC 20036
academicapress.editorial@gmail.com

Balanchine and Me

Author: 

Martins, Peter

Credentials: 

Peter Martins was the Ballet Master in Chief of New York City Ballet for 35 years, the only person to preside over the company as long as its founder, George Balanchine. Born in Denmark, Martins began his association with NYCB in 1967, when he was invited to dance the title role in George Balanchine’s Apollo during the company’s appearance at the Edinburgh Festival. He then performed as a guest artist for three years before joining the company as a principal dancer in 1970. Prior to his retirement from dancing in 1983, Martins performed a wide variety of roles and was lauded for his outstanding partnering skills and noble stage presence. In 1981, Martins was named Ballet Master, a title he shared with Balanchine, Jerome Robbins, and John Taras. From 1983 to 1989, he served as Co-Ballet Master in Chief with Robbins, running day-to-day operations. He assumed sole directorship of the company in 1990 and was also Chairman of the Faculty of the School of American Ballet, NYCB’s official school. In 2000, founded the New York Choreographic Institute.
Martins began his career as a choreographer in 1977. He has created nearly 90 ballets set to music by composers as diverse as Tchaikovsky, Stravinsky, Wynton Marsalis, and John Adams. His full-length productions for New York City Ballet include The Sleeping Beauty (1991), Swan Lake (1999), Romeo + Juliet (2007), and La Sylphide (2015). Martins’ autobiography, Far From Denmark, was published in 1982. Among other awards, Queen Margrethe II of Denmark made him a Knight of Dannebrog, a Knight of the First Order, and, in 2013, a Commander of the Knights of Dannebrog, Denmark’s highest civilian honor. In 2008, the French government made him a Commander in the Order of Arts and Letter. That same year, Martins was inducted into the National Museum of Dance’s Hall of Fame, in Saratoga Springs, New York.

Born in St. Petersburg, Russia, in 1904, George Balanchine was the 20th century’s towering figure of classical ballet. Coming to America in 1933, Balanchine founded the School of American Ballet and the New York City Ballet, where he hired the Danish-born Peter Martins as a dancer and, later, as a choreographer. Balanchine and Me is dedicated to Martins’ profound artistic relationship with George Balanchine, who taught him a new, freer style of dance, and ultimately entrusted Martins with the future of the New York City Ballet, which Martins went on to lead for 35 years.

Market: 
Fine Arts, History, Social Science, Dance, Ballet, George Balanchine, Peter Martins, New York, American Culture, Russian Culture
Release Date: 
March 12, 2024
ISBN: 
9781680536263 Hardcover
Price: 
$35
Trim Size: 
6x9
Pages: 
200
Illustrations: 
None
Yes
Publisher: 

ACADEMICA PRESS
1727 Massachusetts Avenue, NW, Suite 507
Washington, DC 20036
academicapress.editorial@gmail.com

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